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Thursday

Strange Angels

Michael deMeng

One of my favorite films is called “Wings of Desire” by the director Wim Wenders. It takes place in Berlin and it is filled with angels secretly listening and gently influencing the thoughts of humanity. I left the film curious about the history of angels and one thing that I learned from my research is that between all the various religions there are angels in charge of just about anything you can imagine; there are angels of alchemy, angels of the sea, angels of trees, angels of the sun, good angels, fallen angels and yes Charlie’s angels…you name it there is an angel for it. So in this class students are going to pick an angel, whether religious, mythological, or personally invented and create a wall relief using a combination of 2-D and 3-D processes. Students will use dolls, figurines, toys or busts to create the angels and combine them with various found objects that relate to that particular angels theme or duty. All this will be mounted on wood panels so they can be displayed on the wall. Oh and make sure you bring some wings…you want your angels to be taken lightly....I know, the angel of comedians is going to get me for that one.


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Michael deMeng is an artist who travels the world teaching and creating mixed media shrines and deMented toys. He has exhibited throughout the world with is unique style of assemblage. His book, “Secrets of Rusty Things”, published by North Light Books was released in May of 2007. His second book, Dusty Diablos focuses on his love affair with Mexico and the art it inspires.

Artist statement:

My work is about transformations. It is about the transformation of the common into the sacred. Discarded materials find new and unexpected uses in my work; they are reassembled and conjoined with unlikely components, a form of rebirth from the ashes into new life and new meaning. These assemblages are metaphors for the evolutions and revolutions of existence:  from life to death to rebirth, from new to old to renewed, from construction to destruction to reconstruction. These forms are examinations of the world in perpetual flux, where meaning and function are ever changing.

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